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The Times, this morning: “Boris Johnson will attempt to wrest back control of the coronavirus crisis today after No 10 was stung by criticism of its performance and the death toll rose to 35.” One small sentence, of the sort your eye glides over daily by the bucketload in our wonderful British press. Let’s take it apart.
The writers have no idea what is in the Prime Minister’s mind, or whether he indeed woke up this morning and mumbled “I’ve gotta try and wrest back control of this virus, Carrie” (to which “From whom?” would be the only reasonable response), but tell us his entire government (“No 10”) has been “stung by criticism” anyway. If I claimed to know what was in your mind and wrote it down as fact, how would you describe my behaviour?
That’s not the worst offence against decency in those 30 words. Look at the sentence’s end: the conjunction to link this intangible “criticism” with “the death toll rose to 35.” As though the death toll might have not increased, might been zero, had No.10 not been occupied by a man who drives a too-large proportion of the media into paroxysms of hatred.
When I gave up writing about politics and resumed my career as a statistician, lots of people asked me if I was sure what I was doing. The subtext: “If you just went for it harder, you could make it as a pundit. Why would you bury yourself in some faceless company doing that geeky stuff?”
It hit a nerve, because in 2017, at the end of a sabbatical year writing speeches for a cabinet minister, I did look at The Rest Of My Life, and asked myself the same question. Yet I made a deliberate choice to return to the pharmaceutical R&D outfit that had been my home since 1998. I’ve done well, becoming one of the company’s VPs for research-orientated statistics, and a large number of people depend on my strategic ability. So why was the media such an obvious wrong choice?
In 2011, I won an Orwell prize for my political writing. I never knew I could write, never had the desire, yet somehow I have a facility with words that sufficient people enjoy that makes the endeavour worthwhile. After the Orwell ceremony — the next day — I was offered a gig at the Daily Telegraph that lasted three years. Even when that ended (thanks for sacking me while I was on holiday!), I’ve never lacked offers for paid writing.
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