A student wait to float a lanterns on Hiroshima's river during the 71st anniversary activities. Credit: Richard Atrero de Guzman/NurPhoto via Getty Images

At 8.15 am on 6 August 1945, the USAAF B-29 Bomber Enola Gay dropped an atom bomb on Hiroshima. The innocuously nicknamed “Little Boy” obliterated the city’s urban centre, instantly killing an estimated 80,000 people, and claiming 60,000 more lives by the year’s end. An atomic attack on Nagasaki followed three days later. 75 years after those horrific events — just in time for today’s anniversary of the bombing of the city — the Hiroshima District Court, on 29 July, made a widely reported ruling.
It extended to 84 plaintiffs, with ages ranging from late 70s to 90s, the certification of atomic bomb victims. In other words, it recognised them as having been exposed to radioactive “black rain”. These plaintiffs were just outside the area, officially designated after the fact, where radioactive droplets from the nuclear explosion fell. In spite of their long struggles with radiation-linked diseases, they had been denied the same level of medical benefits that were given to “certified” atom bomb survivors.
For those plaintiffs and other survivors, the nuclear summer of 1945 is never a distant memory. For most Japanese today, it is. Nevertheless, all Japanese people grow up with ample knowledge of the horror and cruelty of nuclear weapons — be it from obligatory lessons at schools, or from popular manga and movies. (Barefoot Gen, a semi-autobiographical manga by Keiji Nakazawa that has sold 10 million copies worldwide, is but one example.) As a result, Hiroshima — Hiroshima more than Nagasaki, for being the “first” — has become a quasi-religious abstraction that reigns at the heart of Japan’s pacifist ideology.
During the Second World War, Japan’s national ideology revolved around the cult of emperor worship. After Japan’s defeat, the cult of peace worship took its place. This worship draws its moral strength from two interconnected sources. One is Article 9 of the US-drafted postwar constitution, which renounces “war as a sovereign right of the nation and the threat or use of force as means of settling international disputes”. The other is Japan’s broad-based anti-nuclear arms sentiments, of which Hiroshima is the most potent symbol. And so every year, on 6 August, the city makes national headlines as Japan commemorates the anniversary of the bombing.
“Peace” is everywhere on that occasion. The “Hiroshima Peace Memorial Ceremony” is held in the “Hiroshima Peace Memorial Park”, built near the bomb’s detonation point. Top politicians and dignitaries join in silent prayers with ordinary citizens at 8.15 am, followed by the tolling of “peace bells”, the mayor’s “peace declaration”, and a releasing of doves into the sky once shrouded by a mushroom cloud. Around the anniversary, many commemorative events are held, including art exhibitions, flower shows and concerts featuring the world’s top musicians. (The late pianist Peter Serkin, in 2017, played with the Hiroshima Symphony Orchestra at its “Music for Peace Concert”. He also gave a moving private performance on a Baldwin piano that once belonged to Akiko Kawamoto, an American-born teenager. The piano survived the bombing. Akiko didn’t.)
Due to fear that Covid-19 will spread, many of this year’s 75th anniversary events have had to be cancelled, and the main ceremony will be drastically downsized. Even so, Hiroshima’s essential importance as a galvanising point of postwar Japanese identity will remain unchanged.
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