What do Prince Harry and Hamlet have in common? (Photo by Samir Hussein/Samir Hussein/WireImage)

How do you feel about the palace hearing you speak your truth today?
“Your truth”. That phrase slipped off Oprah’s tongue with such ease during her interview with Meghan and Harry. But on this apparently simple construction hangs a question that has divided us with an explosion of animosity: how many truths can there be?
With the new world once again pitted against the old, I find myself reminded of the words of another Royal confidante, those of Polonius in Shakespeare’s Hamlet. “To thine own self be true,” he advised his son. This sentiment seems to encapsulate so much of what is philosophically at stake in this interview, with the Prince and the Princess expressing “their truth”, a truth that was as much a function of the need to be true to who they are, as it was a reference to objective reality.
Put aside for one moment the on-going debate about their claims concerning Royal racism, for it seems to me that there is a troubling tension between two meanings of truth going on here: being true to yourself, something we have come to call authenticity, and truth as an empirical statement of fact.
The former was largely conceived by Rousseau and is often known as “expressivism” — the idea that, as the philosopher Charles Taylor describes in his magisterial Sources of the Self, “the moral or spiritual order of things must come to us indexed to a personal vision.” And this is where we divide. For some their “personal vision” is a hallmark of truth; for others it is very much a reason to be suspicious of it.
Here, too, it’s worth returning to Hamlet — not least because it is impossible not to be struck by the parallels between its title character and Prince Harry. For Freud, Hamlet represented an archetypal example of the Oedipus complex: a kind of childhood compulsion where a son develops an unconscious sexual desire for his mother and a sense of rivalry with his father.
Joseph Schwartz, in his definitive history of psychoanalysis, Cassandra’s Daughter, sees this “sexualisation of the mother-son relationship” as “part of the dynamic of the Victorian patriarchal family”. He continues:
Join the discussion
Join like minded readers that support our journalism by becoming a paid subscriber
To join the discussion in the comments, become a paid subscriber.
Join like minded readers that support our journalism, read unlimited articles and enjoy other subscriber-only benefits.
Subscribe