We just want him to go away. Credit: Eduardo Munoz Alvarez/Getty

Bill Clinton is a peculiar figure on the landscape of American ex-presidents — a fact of which we’ve been reminded this week, with the release of his newest book. The existence of a book is not unusual, granted; most former occupants of the Oval Office write memoirs after they’ve left, to the point that it’s practically a requirement. But Clinton’s 2018 offering, The President Is Missing, and his latest, The President’s Daughter are not tell-alls about his time at the top; they are the sort of ridiculous thriller in which the President of the United States would call up an overseas SEAL team, mid-operation and against protocol, to give them the following order in a motivational growl: “Now you squids body-bag that son of a bitch for the country.”
These books are a sort of ultra-niche entry into the “own voices” category of fiction: written by an author (in this case, a President) who shares key identity characteristics with his characters (also Presidents.) In fact, the president in Clinton’s new book, Matthew Keating, becomes an ex-president himself just 60 pages in, after his power-hungry VP, Pamela Barnes, leverages the fallout from a botched kill operation in Afghanistan to defeat Keating in the Democratic primary.
Keating is understandably demoralised by this experience; on the eve of Barnes’ inauguration, we find him standing morosely on a snowy tarmac, lamenting his one-term presidency while his wife attempts to comfort him: “Matt, you could have done so much more if the entire system hadn’t been crippled long before you entered the Oval Office,” she says. “From Twitter mobs to focus groups, nothing can get done anymore.”
Ah, Twitter: a destructive force capable of crippling democracy itself! But when the narrative jumps ahead by two years, Keating remains at loose ends: procrastinating on his memoirs, and filling the hours by challenging his long-suffering security agent to canoe-racing competitions. (In what is perhaps a bit of wish-fulfilment on the part of the book’s author, Keating is the repeated winner of these races. He is also, he makes sure to tell us, not wearing a shirt.)
Needless to say, these books are not great works of literature. The President’s Daughter is in many cases profoundly silly. Barnes, in particular, is a Machiavellian caricature whose nightly routine involves sipping Scotch like a James Bond villain while her wormy husband massages lotion into her cracked and aching feet — “a constant irritant since she stood up for herself and others and entered politics years back.” It is representative of the overall writing quality that one cannot tell if this is simply a clunky accident of sentence construction, or if we are meant to believe that Barnes’ feet literally hurt from figuratively standing up.
But choppy writing and crappy character development aside, Bill Clinton’s little renaissance as a co-writer of pulpy political thrillers is fascinating for what it reveals about the unique conundrum faced by the men who used to be President — and, per American tradition, retain the title for life — but are now, alas, just men.
There’s a certain expectation, or at least a desire, that American presidents step back from public life after they leave office. George Washington set this bar when he retired to his farm in Mount Vernon in 1797, expressing “a determination not to intermeddle in any public matter” for the rest of his life. It’s an example that has proved inspirational: when Barack Obama left office, he too referenced the “wise American tradition of ex-presidents gracefully exiting the political stage and making room for new voices.”
Obviously, this tradition is not being observed in our present moment. America’s most recent ex-president not only eschewed the graceful exit, but is reportedly expecting to be declared the real winner and reinstalled in office any day now.
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