Dorothy Day even charmed the Vatican (Dick Whittington Studio/Corbis via Getty Images)

In the past, activism was risky business. By definition, it disrupts lives, threatens chaos, causes disorder and often ends in violence. It should, at the very least, get you in trouble with your boss. But these days, as others have noted, being an activist is simply another part of one’s career, one’s social life, one’s brand. It’s something you perform on Twitter and brag about on LinkedIn. The risk has evaporated and that begs the question: what does real activism actually look like?
This question has animated much of my reading this year: from Clayborne Carson’s Martin Luther King Jr, to Roy Foster’s examination of Ireland’s revolutionary generation in Vivid Faces. But the book that today’s Twitter activists could perhaps learn the most from is John Loughery and Blythe Randolph’s deeply researched and highly entertaining biography of Dorothy Day. This rambunctious American peace activist emerged in times that echo many of the crises we currently face, but her answer to them was, inspiringly, different.
Born to a relatively comfortable middle class family in 1897, Day enjoyed a misspent youth among the radicals of 1920s Greenwich village, falling in love with feckless journalists and drunk intellectuals, writing novels, experimenting with feminism and socialism, and trying to figure out how life should be lived. If a friend of Dorothy’s was going to be arrested — and they often were, for agitating for votes for women in the 1910s, or protesting against the arms race in the 1950s or Vietnam in the 1960s — you could safely bet that she would be right there alongside them. The Groucho Marx saying about how a good friend will try to bail you out of jail, while a best friend will be in the cell next to you, could have been written about Dorothy.
Dorothy did not have to agree with you to love you. Her worldview did not depend on ideological convergence between friends — unlike that of today’s activists, who often insist on absolute purity and cannot tolerate disagreement. While Day’s openness allowed for the hectic fun of her early life, it gathered depth and meaning when she converted to Catholicism in her early thirties and began the journey that would lead to the foundation of her influential movement and newspaper, the Catholic Worker.
Dorothy’s conversion was an enormous surprise to her friends — she ran with a bohemian set and had been inclined towards communism as a young person (who isn’t?). But she ultimately declined communism’s emphasis on material progress as the only thing mankind need bother itself over. She needed more, and she thought humanity in general did too. Dorothy saw each individual as a whole person — which helped her avoid the horrific dehumanisation of the great ideological catastrophes of the twentieth century: ones that many of today’s activists, in their determination to hate those who don’t agree with them, seem bent on replicating.
Dorothy, on the other hand, practised the love she preached. In 1933, she and Peter Maurin — a penniless French intellectual drunk on the radical potential of the Gospel — founded a “House of Hospitality” in Dorothy’s stomping ground of lower Manhattan. The House was for anyone who needed shelter, food and care — no questions asked. Crucially, no standards of behaviour or personal hygiene had to be adhered to. Dorothy liked to tell newly arrived volunteers at the House: “there are three things you have to remember about very poor people who live on the street: they don’t smell good, they aren’t grateful and they are apt to steal”. This is not the carefully sanitised language of the modern activist; it’s the no-bullshit lowdown from someone who lived her word. Dorothy was not interested in saving people: her religiosity was non-evangelical, her compassion was not charity. It was not about control.
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