Credit: Dirck Halstead/Getty

“This is sexual harassment.” “No. It’s an affair.”
These lines are from Impeachment: American Crime Story, a 10-part dramatisation of the tragedy of Monica Lewinsky, which airs in the UK this week, because our appetite for gossip does not dim with the age of it. Lewinsky was 22 when she began her affair with Bill Clinton, who was 49. When the affair was exposed, and he was impeached — then acquitted — his personal approval ratings rose, which should be insane, but isn’t. American voters like tales of sin and redemption if the protagonist is male.
Lewinsky, though, was ruined as Christine Keeler was ruined. The man survives; the woman does not. In Impeachment, when the FBI arrest her for perjury — for saying she did not have a relationship with Clinton — she says: “I will never have children. Because no one will marry me.” It is an accurate prophecy so far.
Monica Lewinsky need not be shamed, but we should. I am the same age as her, and all I remember is the dirty dress and the oral sex and the cigar, none of which I wish to know about, or should know. A woman giving pleasure to a man she is infatuated with is not something that disgusts me, though we were asked to call it that: why?
Monica’s sufferings after her friend Linda Tripp, assuming the dimensions of a witch from a fairy tale, recorded their conversations and made them public, were without end. She was punished, as sexualised women are always punished; drabs are punished in other ways. Lewinsky was reduced to a series of transient acts which we are supposed to believe define her. Like Christine Keeler, she became “a dirty joke”.
The #MeToo movement invites us to examine our misogyny towards Lewinsky. She has gained some autonomy at last. She co-produced the documentary 15 Minutes of Shame about the dehumanising intent of the internet, in which she points out that she was the first woman to be destroyed by it, though many others follow her. (The affair was an early Matt Drudge scoop. Many people made money from her.) She is an executive producer of Impeachment, so it is her story, a one-sided collection of truths.
She was not sexually harassed by Bill Clinton, but she was manipulated. It was a consensual affair, and she has always said so, but she was peculiarly vulnerable, which is surely why he chose her. It was an affair she did not want to end; an affair that he ended, though he did not seem able to let her, entirely, go. They had a cruel and tender dance of novelty gifts and meetings and telephone calls. Clinton’s secretary, a decent women tasked with managing Lewinsky’s tears, had pity for them both. Clinton once chided Lewinsky, saying all he thought about, night and day, was her search for a job after she was exiled from the White House to the Pentagon but wanted to return. Folly is neither a crime, nor a story and Electra is both adult and child – who chooses to lie down? The affair brought her, by her own testimony, anguish and joy. She defended him for years but now she thinks he abused his position: that is, she wishes he had saved her from herself. He didn’t.
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