This struggle must be played out to the end (Giulia Spadafora/NurPhoto via Getty Images)

Why on earth now? It seems so very late in the day. It is nearly 75 years since the British Empire started to unravel, famously at midnight on August 14, 1947, when India became free. Yet over the past 18 months the arguments about the Empire have raged afresh, as septic and painful as ever.
Does Britain deserve obloquy for profiting so hugely from the Transatlantic slave trade, or credit for having abolished it? Statues of imperialists and slavers have been toppled and daubed and tossed into rivers. The Right, more rampant and paranoid than at any time since the war, denounces the ‘woke’ movement as a new and noxious threat to Western civilisation. Yet as far back as 1938, the great Lead Belly was already warning travellers to Alabama, “I advise everybody. Be a little careful when they go along through there — best stay woke, keep their eyes open.” But Belly’s warning was a long time ago.
Why has it all come alive again, and with such unappeased ferocity on both sides? The book that caught the zeitgeist in the midriff this year was Sathnam Sanghera’s Empireland. It is never simplistic, always thoughtful, wry, and rueful as well as angry.
Sanghera comes from a family of Punjabi Sikhs and was brought up in Wolverhampton. He describes that upbringing in in his touching memoir The Boy with the Topknot. When he first went to school, he was unable to speak English, but he finished up at the great Wolverhampton Grammar School and then got a first in English at Christ’s College, Cambridge. He thus has the most intense imperial legacy, from Enoch Powell’s Rivers of Blood speech all the way back to the massacre of hundreds of Sikhs at Amritsar by the psychopathic temporary Brigadier Dyer.
In Empireland, he patiently explores that legacy: the loot in British museums (‘Loot’ is the Hindi word for the spoils of war, jocularly adopted by the British — a Pekingese dog found during the looting of the Summer Palace in Peking was christened Looty and sent home as a gift to Queen Victoria); the millions of post-war immigrants from the Commonwealth who have transformed England’s inner cities; above all, the abiding sense of the superiority and exceptionalism of the British race; and always in the background, the dark shadow of slavery, as abiding an embarrassment as it was profitable, best not spoken of in company — witness the silence of the Bertrams in Mansfield Park when their estates in Antigua come up in conversation.
Personally, Sanghera is grateful for everything that Britain has given him, and he acknowledges the formidable achievements of the British in India, up to and including the famous railways, one of the only vestiges of empire that ever make it on to TV, usually omitting the reality that the prime purpose in building them was to ferry troops quicker to suppress native disturbances and to carry British goods to the furthest corners of India at the cruel expense of native producers.
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