Desperate Afghans cling to a US military plane leaving Kabul

A century ago, as the Great War raged, Oswald Spengler wrote that “Western mankind, without exception, is under the influence of an immense optical illusion.” The Decline of the West, Spengler’s grand, ambitious, poetic theory of Western downfall — well underway, in his telling, by the time he began writing — has had its followers, detractors and imitators ever since. It has also, in recent years, had something of a renaissance.
Decline is in the air, mingling with the smoke of burning forests in Greece and the shocking footage coming out of Afghanistan. Much of what Spengler wrote about the West’s dissolution — which he predicted would make itself fully known in the 21st century — has proven prescient, and he hadn’t even heard of climate change or the Taliban. You would have to have a strong will — the kind which old Oswald admired — to deny, as nations angrily fragment, the gulf stream stutters, the supply chains choke up, that he might have been onto something.
But what is “the West”? It depends which tribe you ask. For a liberal, the West is the “Enlightenment” and everything that followed — democracy, human rights, individualism, and that dynamic duo, “science and reason”. For a conservative, it might signal a set of cultural values: traditional attitudes to family life and national identity, and probably broad support for free-market capitalism. And for the kind of post-modern leftist who currently dominates the culture, the West — assuming they concede it even exists — is largely a front for colonialism, empire, racism and all the other horrors we hear about daily through the official channels.
All of these things could be true at the same time, but each is also a fairly recent development. The West is a lot older than liberalism, leftism, conservatism or empire. It is at the same time a simpler, more ancient and immensely more complex concoction than any of these could offer. It is the result of the binding together of people and peoples across a continent, over centuries of time, by a particular religious story.
“There has never been any unitary organisation of Western culture apart from that of the Christian Church,” explained the medieval historian Christopher Dawson in Religion and the Rise of Western Culture, written shortly after World War Two. “Behind the ever-changing pattern of Western culture there was a living faith which gave Europe a certain sense of spiritual community, in spite of all the conflicts and divisions and social schisms that marked its history.”
“The West”, in other words, was born from the telling of one sacred story — a garden, an apple, a fall, a redemption — which shaped every aspect of life: the organisation of the working week; the cycle of annual feast and rest days; the payment of taxes; the moral duties of individuals; the attitude to neighbours and strangers; the obligations of charity; the structure of families; and most of all, the wide picture of the universe — its structure and meaning, and our place within it.
Join the discussion
Join like minded readers that support our journalism by becoming a paid subscriber
To join the discussion in the comments, become a paid subscriber.
Join like minded readers that support our journalism, read unlimited articles and enjoy other subscriber-only benefits.
Subscribe