Mournful. Credit: Andy Hall/Getty

“Love is a relationship between dying things,” said Roger Scruton just months before he was to succumb to lung cancer. We hold on to the ones we love, and hold them ever closer, precisely because they are mortal and will pass away.
This could be a statement of the philosopher’s conservatism, as much as an explanation for the outpouring of love that has followed his death, two years ago last week. And the publication of a new collection of his old essays and columns, Against the Tide, along with the Roger Scruton Legacy Foundation, could be seen as a part of a canonisation process.
But Scruton was no saint. And he was disarmingly frank about his failings as a human being. Yet persecuted in life, especially towards the end; dedicated to the cause, despite considerable personal cost; personally and visibly vulnerable; other-worldly even: when last we spoke, he even compared himself to Jesus — which I mention as an example of his rather compelling naivety, not his holiness.
“Forgive them for they know not what they do,” was his answer to those who had been seeking to get him sacked from his job as government advisor on architecture. I slightly bridled at the role he imagined for himself here. I am a priest after all. “Fully to understand the Easter story, it helps to be hounded by the mob” he wrote in The Telegraph in 2019, casting himself as the crucified. As responses to his own dark night of the soul, these felt clumsy, verging on the blasphemous, yet also extremely touching. There was no guile in him. He would have found life a lot easier if there had been.
Scruton was always looking for a new way of expressing his conservatism, refusing the idea that it was some sort of grand philosophical theory, and often unhappy with the way he had expressed it in the past. He called it a “temperament” and I suspect it had more to do with the love of dying things than with some generalised political philosophy. Critics of conservatism often only see in it some sort of dead-eyed reactionary obstruction of the new, or a selfish defence of established privilege — they don’t recognise it as an act of love. Cherishing things in the face of their passing away, their intrinsic mortality, is a kind of heroic loving resistance to the fragility of human life.
To hold on to someone, to hold onto forms of life, traditions, institutions — this is where love and conservatism meet. Hence Scruton’s love of Wagner’s Tristan and Isolde, for example. And because it is the love of dying things — and dying not because they are useless but because they are human — one might also say that conservatism is also something intrinsically tragic and woeful. It is surely not insignificant that Scruton himself had such a mournful demeanour. He wore his politics on his face. Conservatism is a temperament.
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