
You are never closer to nature than when you pick it or kill it. I once spent a year living wild, eating only what I could hunt and gather on 40 acres of remote Herefordshire, where England ends in Wales. In retrospect, my Palaeolithic sojourn was an indulgence, propped up by a publishing contract for The Wild Life. But it was also revelatory. Animals, I learned, defy Linnean classification, and reduce to prey or rival.
My time living wild also means I am one of few people qualified by experience to assess the French publishing phenomenon Deer Man, Geoffroy Delorme’s account of seven “wild man” years in the Forêt de Bord, Normandy, living among a herd of roe deer. And, as it happens, I am writing this in France, next door to a 3,000-acre forest. With roe deer.
Delorme declares he adjourned to the forest following a chance meeting with a Capreolus capreolus buck. It inspired him to seek “the nobility of life in the wild” and “my true place in the order of things”. A drop-out — Delorme was home-schooled and solitary and there are darkly hinted-at problems with his family — his choice to be adopted by roe deer is instructive, a prime case of “elective affinity”. Vulnerable young man identifies with an animal species regarded as vulnerable. (I mean, consider Bambi’s childhood.)
Delorme is hardly the first to go off the civilised script. For centuries, misfitting men have been compelled to venture into the backwoods and the boondocks, starting with Enkidu in the Epic of Gilgamesh, followed by Christ in the wilderness. (Women rarely do wilding.) The imperatives are obvious: the search for self-awareness, the sense of suffocation from human rules, the belief that we are truer to our original selves in a state of nature, the concern that civilisation despoils the landscape. The Americans even constructed an original national art form from this quartet of anxieties: The Western.
But nobility in the wild is hard to do. I nearly totalled myself by consuming a poisonous mushroom; Jimi Hendrix’s Purple Haze is fun jacked up on the party stereo, not when you are paralysed and your ability to detect colour is limited to 50 shades of mauve, and you are praying for the psychedelic madness to end.
And every day there are half-moons of dirt under the fingernails. And every day the pathetic anxiety of: “Will there be enough to eat?”
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