Being stocked in Salford doesn't make a newspaper national. Credit: OLI SCARFF/AFP via Getty Images

Late on Tuesday night, I was sitting on a bus back to Manchester city centre from Salford Quays, where I had just watched La Traviata at The Lowry theatre. I was the sole passenger on the top deck, except for one young guy in a hoodie sitting a few seats in front of me. He turned out to be an opera singer, studying at the prestigious Royal Northern College of Music. He leaned over to chat because he had heard me interviewing people after the show about the prospect of the English National Opera moving north — and wanted to give me his own views.
It probably wouldn’t work, he said. The audience for opera is in London. I told him I disagreed. We had both just witnessed first-hand a large and enthusiastic audience for opera in Greater Manchester, after all. Not only could the move work, but it would also be a great thing for the UK to have a leading company operating out of one of its most central and fast-growing cities. Allied with Opera North, whose production we had just watched and who tour the entire region from Leeds, it would make this part of the country a global opera powerhouse.
By the time I got off the bus, my companion was telling me how a Manchester ENO would allow talented musicians like him to stay in the North after graduating, rather than feeling forced to move to London, or overseas. “I’m just surprised that you are the only person making the argument,” he said.
The reason nobody has heard the case for a Manchester ENO is that the media coverage of this important arts story has been laughably, atrociously London-centric. “English National Opera fights ‘absurd’ plan to relocate to Manchester,” ran the headline of a story on the BBC. It quoted the ENO’s chief executive Stuart Murphy calling the move “insane” but didn’t counter his analysis with a single northern voice.
Several newspaper reports accepted, apparently without fact-checking, Murphy’s comparison of London’s “9 million people” with “Manchester’s half a million”. It seems neither the reporters nor the editors on those papers could see the mistake the ENO chief was making, although it seems that Northern readers pointed out the problem to the Guardian. The paper has removed Murphy’s misleading quote and replaced it with “a more accurate comparison between the greater metropolitan populations of London and Manchester”. (The population of Greater Manchester is almost 3 million.)
The ignorance didn’t end there. The Observer’s classical music critic Fiona Maddocks said the ENO plans “certainly make no sense” because Manchester is already “well served” by Opera North — a company that is based in Leeds and usually only comes to Salford for one week every year. Maddocks, perhaps, was straying a little outside her area of expertise: the Observer’s classical desk, as one of my readers emailed me this week, “pretty much exclusively writes about things staged in London”. The reader went on to point out that whereas Opera North’s headquarters, at Leeds’ Howard Assembly Room, are an hour and a half’s drive from central Manchester, “the ENO is about six minutes’ walk away from the Royal Opera House, so who is best served?”
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