Scenes from Wigan town centre. Credit: Christopher Furlong/Getty Images

Here are some snapshots of modern Britain, taken by a well-known broadcaster, playwright and social commentator. The railways are dying; car traffic is thriving. To the drivers, who interact with their fellow human beings mainly by injuring and killing them, the country is just a “roar and muddle outside the windows”. The wealth gap between North and South is wider than ever. Workers have been forced to move out of cities to cheerless suburbs a long ride from their place of work.
Regions are losing their identity. Professional football teams no longer field any local players, and local newspapers are disappearing, replaced by “some mass publication thrown at [the public] like a bone to a dog”. These organs of hatred publish indignant lies about workers bingeing on champagne and immigrants taking advantage of our great traditions of hospitality. The “miserable meanness” of the press faithfully reflects “this present age of idiotic nationalism, political and economic”.
The year was 1933. J.B. Priestley, born in Bradford in 1894, had been commissioned by the Left-wing publisher, Victor Gollancz, to spend two months travelling through rural and industrial England, from the honeyed manor houses of the Cotswolds to the stinking slums and slippery cobblestones of the Black Country, Lancashire and Tyneside. The vaguely defined “North” was a foreign country even to some members of the London establishment who were supposed to represent it. This geographical blindness appears to be a chronic condition. Several visitors from the South who have stayed at my home on the Anglo-Scottish frontier were surprised to discover that Carlisle is not a Scottish city, and that Hadrian’s Wall is not the national border.
Along with Daniel Defoe’s Tour Thro’ the Whole Island of Great Britain and William Cobbett’s Rural Rides, Priestley’s English Journey is one of the great travelogues of English literature. He talked to actual people and stayed in each place long enough to suffer the effects of its architecture, food and air. He listened rather than interviewed, jotting down the chatter of factory workers, bus passengers, commercial travellers, tramps in a hostel, women at a whist drive, slum children at a multi-ethnic primary school. The result is a work of bracing televisual intensity. There is none of the metropolitan prissiness that makes so many English travelogues, historically speaking, a waste of time.
Priestley wrote like an opinionated anthropologist with an ear for a good joke and a rare ability to communicate in different forms of English: “As a rule I like local accents, and have kept one myself. They make for variety in speech and they give men’s talk a flavour of the particular countryside to which at heart they belong. Standard English is like standard anything else — poor tasteless stuff.” Reading Priestley today, it strikes me that the “local accents” he relished were micro-dialects, peculiar to certain towns, small districts or even occupations. Received pronunciation may still be dominant, as Amol Rajan complained this year, but the remedy is not necessarily within easy reach. We also now have standard Yorkshire, standard West Country and standard Cockney, which can be just as flavourless.
Just over two years after Priestley returned to London (in a smog so thick that all he saw of England through the windscreen was “a large wobbling green rectangle” on the back of a removal van), George Orwell set off on his own voyage of grim discovery. He, too, had been commissioned by Victor Gollancz. The fruit of two ghastly months in Lancashire and Yorkshire, The Road to Wigan Pier, was published by the Left Book Club in 1937.
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