Merah's manhunt was prime prison viewing. Pascal Pavani/AFP/Getty Images

When two young men embellish a Toulouse FC replica shirt with the name of the city’s most notorious mass murderer, is it just a sick and provocative gag, or evidence of sympathy for the killer’s worldview? Earlier this month, the French courts decided it was “terrorism apologia” and handed out three and four-month sentences to two men who, posted a photo on Snapchat wearing a football shirt with the name of the delinquent jihadist, Mohammed Merah, across it, with the number seven — for the number he killed.
Mohammed Merah began his rampage in Toulouse on March 11, 2012, first executing a French-Moroccan paratrooper who nobly refused an order to lie down. He struck again on March 15, firing on three soldiers in Montauban — two were killed and another left paralysed. The murdered soldiers were all of North African Muslim descent. Then, on March 19, Merah pulled up outside the Ozar Hatorah Jewish school. In the schoolyard, he gunned down a Rabbi before executing the man’s three and five-year-old sons as they tried to crawl to safety. He then entered the school and grabbed an eight-year-old girl, at which point his gun jammed. Unperturbed, he swapped weapons and shot her. He filmed it all. After a manhunt and lengthy standoff, Merah was shot dead by police at his apartment.
Even considering the usual moral squalor of jihadist violence, Merah’s spree stands out for its depravity. Yet, for some reason, he is still widely revered. Nicole Yardeni, a deputy mayor in the city, tells me that his name is sometimes viewed positively even outside of jihadist circles, as “a symbol of rebellion” against society. After all, Merah is the man “who brought France to its knees”, as one local youth reminded the mother of his first victim. Even at the time of the police manhunt and siege, Facebook posts and pages honouring the gunman attracted thousands of likes, while police prevented people from laying flowers at his apartment. (It goes without saying that the overwhelming majority, Muslim and non-Muslim, were horrified.)
Within Salafi-jihadist circles, Merah’s cold-blooded rampage made him an icon. At the time of his attack a petty criminal, 28-year-old Mehdi Nemmouche, was killing time in a prison cell. Ordinarily, he would have refused to watch infidel television, but this time he asked his guards for a TV set so he could jubilantly follow the Merah manhunt live. Nemmouche would later head for Syria where he became a jailer for Islamic State. Chillingly, he told a captive that, like Merah, he “dreamed of grabbing a Jewish girl by the hair and shooting her dead”. Nemmouche would go on to deliberately target and murder Jews, killing four at Brussels’ Jewish Museum in 2014. It was Europe’s first attack by an Isis returnee.
Merah told police that he had conducted his attack on behalf of al-Qaeda, but that has not stopped their bitter Islamic State rivals from invoking his name. Journalist David Thomson interviewed several French members of Isis, each one praising Merah. Even official Isis propaganda has urged Francophone supporters to follow in Merah’s footsteps.
Laurence Bindner, who co-founded Jihadoscope to monitor jihadi online activity, tells me that Merah’s impact on the ground in his Cité des Izards housing estate “has been profound”. To Bindner, Merah’s place in jihadi lore is symbolic for a simple, gruesome reason: “He was the one who has no limits, the one who kills children.” But, she quickly adds, “this also put him beyond the pale even for some radical Islamists”. Merah was the first to cross a line.
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