All hail The Green King (Tim Graham Photo Library via Getty Images)

As the rain lashed Parliament Square this week, and Rishi Sunak’s bizarre police bicycle escort shouted its way through Whitehall, the capital resembled a drizzly, gothic Burning Man festival. Crowds of Extinction Rebellion protestors stood huddled from the weather in their lurid purples and oranges, like penitent cultists in a late Roman city. Gone were the strange processions of accusing scarlet priestesses that marked their early protests: they had retreated to their aesthetic safe space of a crusty Student Union bar sometime in the early Nineties, a distant fug of snakebite, rollies and road bypass protests that is presumably their foundation-myth, the lost Arcadia of the eco-protest world. And between these two worlds, sliding through the crowds in his chauffeured car, inscrutable behind polished glass, sat the living bridge between these two Englands: the King.
It still feels strange to say the King, impossible to utter it without savouring the phrase as if in quotation marks: no other British title quite embodies the same tension between the lost magic of the realm and the banalities of modern public life. Replacing the careworn grandmother embodying the post-war diminution of the British state, our new king, part Athonite mystic, part pampered dandy, remains a mystery.
Just like the juxtaposition of Extinction Rebellion’s pagan eco-mysticism with the box-ticking, bell-ringing passive-aggressiveness of Sunak’s cycle cavalry, the King represents two divergent paths for Britain’s future. To supporters like myself, inclined to hail him — partly seriously and partly ironically — as a post-liberal figurehead, a champion of small family farms and a lost way of life, the King may still signal a renaissance of sorts. To his detractors, he represents all that is wrong with the 21st-century establishment. Some view him as the herald of top-down bureaucratic eco-austerity for the masses while the elites preserve their wealth and contentment; others see his recent capitulation to the race grifters and betrayal of a loyal family servant as evidence of all that is most destabilising and harmful about modern British life. There are two kings within Charles waiting to be crowned, just as there are two rival Britains struggling to be born.
The Queen’s funeral, with its sombre pomp and reassertion of the power and majesty of the state, could be interpreted as a rejection of modern Britain as much as the great festive events of her later life proclaimed a celebration of who we are now. What rich stores of symbolic meaning, then, await us at the coronation?
The sheer strangeness of this event, its apartness from modern Britain, is the essence of its meaning. When our king is anointed as God’s chosen in the great stone sepulchre of the British people, we will witness something strange and literally magical. So divorced from modernity as to be almost incomprehensible, we will witness, like puzzled anthropologists, the ancient rituals of our own lost British tribe. The choice of music, of court dress and of religious benedictions that will attend this descendant of both Vlad Dracul and Mohammed, in this most Catholic ceremony of a Protestant country, are rich fodder for grandstanding and debate. All politics, all power, is at heart symbolic, resting on ancient foundations like a modern church on ancient monoliths: only once or twice in our lifetimes will the state draw back its robes and reveal her hidden mysteries to us.
How is Charles to rule and bring this strange duality, the ancient and the modern, into public life? For decades, he was mocked as an eccentric, a weirdo who talked to his plants and praised the rustic hardships of traditional peasant life from within his palace walls. This urge to call him weird as an insult, springs from the same source as the eye-rolling ironic epithet “normal country” levelled at Britain. Instead, it is a compliment. Britain is not a normal country, whatever that would be, and thank God.
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