'138 minutes of my life that I will not get back' (The Kerala Story)

Liberals are livid. Ban the film, they say. It’s Islamophobic dross. India’s current ruler Narendra Modi, meanwhile, has waxed lyrical about The Kerala Story, a film about a Hindu woman hoodwinked into joining Isis. His praise has only intensified liberal vehemence. The opposition-controlled government of West Bengal has heeded the critics and yanked the film off cinema screens, whereas Modi’s minions in Madhya and Uttar Pradesh have waived the ticket tax to draw in the teeming masses.
And so India’s culture wars wearily carry on, pitching liberal secularists against Hindu nationalists yet again. This particular battle has already claimed its first life in Maharashtra: a 40-year-old electrician died in a stone-pelting contest provoked by an Instagram post about the indie drama. Meanwhile, 20-somethings at a Jammu hostel pummelled one another into hospital beds, after one of them voiced the rather outré opinion that the film was “worth watching”.
It most certainly wasn’t. It’s 138 minutes of my life that I will not get back. Here is a production that falls into the dominant genre in contemporary Indian filmmaking: the deranged docudrama. Militarism and a muscular Hinduism, ChatGPT scriptwriting and CGI cinematography, combine in these epic fantasies of unblushing Modi-ana, as myriad villains get their comeuppance: Muslim militants in The Kashmir Files, Pakistanis in Uri: The Surgical Strike, opposition parties in The Accidental Prime Minister, and all three in the biopic, PM Narendra Modi.
In The Kerala Story, Muslim fundamentalists are once again the villains of the piece. The theme is “love jihad”, an oxymoronic term that refers to a conspiracy theory now ubiquitous in India. Lascivious Muslim men, so Modi’s publicists have it, are seducing unsuspecting Hindu women only in order to convert them and increase the number of Muslim babies. This is the Indian version of the Great Replacement Theory, pedalled by the ruling BJP. Muslims are conspiring to become a majority, the argument goes, in order to impose sharia rule on Hindus and, ultimately, obliterate Hinduism altogether.
The director Sudipto Sen’s sleight of hand is to weld love jihad with another Hindu nationalist bugbear: actual jihad. So, we find Shalini, the tragic heroine, abandoning her nursing degree to take up with a Muslim man, who carries her away to an Isis boot camp in the Afghan desert. Her fate as a suicide bomber destined for Syria seems sealed. But then — spoiler alert — a drone, the deus ex machina of our times, spots her. She is whisked away to a Gitmo-style military prison, where she spills the beans about a ginormous terror network set on converting and killing Hindus in their millions. So far, so trite. So why are liberals up in arms?
Sen’s spurious statistics, together with the echolalia of the unthinking press, seem to be the main source of outrage. Shalini has it that 32,000 Hindu women from Kerala, all victims of “love jihad”, lie buried in the sands of Syria. In interviews, Sen has stood by that number. Maths clearly isn’t his forte. Only around 500 Hindus convert to Islam every year — generally not to become Isis fighters but, in the main, to marry outside their faith. (At its peak in 2017, Isis counted a mere 37 Keralite recruits and sympathisers, as a convincing database put together by Sara Perlangeli and Dhruva Jaishankar shows.) But liberals need not worry about Sen’s trouble with numbers — or, indeed, his trouble with Muslims. For as propaganda goes, The Kerala Story is piss-poor. If anything, it reflects worse on Hindus than Muslims.
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