America must not share the fate of Troy. Nathan Howard/Getty Images

Aeschylus’s tragedy Agamemnon begins with the fall of Troy. Clytemnestra, wife of the Greek king, hears news of victory, and imagines the “clash of cries” in the captured city, as the victors and the vanquished mingle. Musing on the destruction, exhaustion and still-fresh memory of violence, she hopes the occupying soldiers will withhold from looting the vanquished and angering their gods: “O, let there be no fresh wrong done!”
And yet fresh wrong will be done. It just won’t be between the Greeks and Trojans, but among the cohorts of the victors. As she pictures the sacking of Troy, Clytemnestra is already plotting to murder her husband.
Something of the same uneasy mood of post-conflict hostility, and lurking internecine violence, pervades a bracing new polemic from America’s leading conservative activist: Chris Rufo. America’s Cultural Revolution is an unapologetically uncharitable and partisan but comprehensive explanation of how we got to today’s bitter culture war. It describes the modern history of Left-wing radicalism, from the Sixties to Black Lives Matter, and the ongoing institutionalisation of this ideology via education and DEI bureaucracy.
On the face of it, it is an accessible introduction, for conservative lay readers, to key figures and ideas on the radical Left. Everyone has an opinion on this movement’s culture war and perhaps Rufo’s most impressive achievement is economy in tackling the topic.
We learn about Black Power activist Angela Davis’s suspected complicity in a violent jailbreak, alongside her advocacy of violent revolution and later of a subtler institutional kind. The Brazilian Marxist Paulo Freire is presented as a bearded sage who inflicted untold ignorance on post-revolutionary Angola, before finally entrenching his “pedagogy of the oppressed” in American schools, only harming the disadvantaged children he sought to liberate. And Derrick Bell, the father of critical race theory, is presented as a mediocre, insecure man who sank ever deeper into racialised paranoia following his early, affirmative-action-driven promotion to undeserved prominence at Harvard — and in doing so, birthed a new field of legal theory that now threatens to demolish the principle of equality before the law.
In other words: this story begins after the fall of Troy. The invaders are inside the walls, burning and looting, and the book is a retrospective account of the siege. Rufo states that he wants to expand beyond the polemical register of activism, to offer a more expansive account of the political challenge as he sees it: ideological and institutional capture by Left-wing radicalism. The word “coup” recurs frequently. The arc of the book describes how the hated victors smuggled themselves into America’s institutions, hidden in the wooden horse of civil rights, only to erupt and attempt to destroy the founding ideals that granted them entrance.
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