Stokes: Keeping the spirit alive (Clive Mason/Getty)

The furore over the “spirit of the game” suggests, misleadingly, that there is indeed some such thing in contemporary cricket. But take a closer look and it becomes apparent that the much-fetishised “spirit”, a code of honour about as anachronistic as knightly chivalry, is honoured only in the breach. The sneaky stumping of England’s Jonny Bairstow by Australia’s wicketkeeper in the second Test was taken as a foul contravention of cricket etiquette. But more than that, it was a sign of the times. To begin with, there was the hypocrisy of the English commentariat. No English cricketer, it was insinuated, could be capable of such an ungentlemanly act. Only Bairstow himself had tried pulling the same stunt two days earlier with the Australian batsman Marnus Labuschagne — unsuccessfully, as it turned out. Tu quoque, as they say.
As teams do whatever it takes to win, swearing by the rather un-cricket mantra of by hook or by crook, is it any surprise that esprit de corps has wound up a collateral casualty? This is more significant than it appears at first blush. Historically, especially in the early decades of the previous century, the sentimentalisation of sportsmanship enabled cricket to declaim a unifying myth that was for the better part true. The “spirit of the game”, trite as this might sound, was the glue holding together the riff-raff and the ruling class, black and white — or so the Trinidadian Marxist historian C.L.R. James argued in Beyond a Boundary, indisputably the best book on cricket, published 60 years ago. On the field, he argued, all social divisions were transcended, even if only fleetingly. For players were bound together by the “code” of cricket.
What the game looks like in default of such a code is plain to see. Around the same time Bairstow was having his battles with the bails, there detonated the bombshell ICEC report, “Holding Up a Mirror to Cricket”. It wasn’t a pretty picture. Over three in four black and brown respondents spoke of having faced racial discrimination, substantiating the Yorkshire player Azeem Rafiq’s charge made before a parliamentary inquiry last year. Since then, heads have rolled — though not those of his harassers. Rafiq has left Britain on account of the abuse following his testimony. Incredibly, the man tasked with reforming Yorkshire’s club, Kamlesh Patel, has been hounded out his position as well. As in Yorkshire, so in Essex, where the black cricketer Maurice Chambers was repeatedly called a monkey and taunted with a banana. C.L.R. James, one suspects, must be rolling in his Trinidadian grave. For the game he describes in Beyond a Boundary is many worlds apart from the game it has become. Time was the “spirit of game” was more than a cynical expedient to clobber opponents. As James has it, it is something of a higher, even egalitarian calling.
James was drawn to cricket at an early age. It was, he describes, one half of a double inheritance. There was, on both sides of the family, the Puritan bequest, which translated into a generosity of spirit embodied by his aunt Judith: “whenever I went to see her, [she] fed me with that sumptuousness which the Trinidad Negroes have inherited from the old extravagant plantation owners”. The spirit of cricket was only an extension of this habit of mind. And it was a stroke of luck that his home gave on to a cricket pitch, his “window exactly behind the wicket”. Tunapuna, his hometown of 3,000 a stone’s throw from Port of Spain, was a cricket-crazy place. All in all, “a good case could be made for predestination”, he slyly writes.
But the sport was also an engine for rising above hoi-polloi. It’s no secret, of course, that cricket has always been a game of certain pretensions. We immediately understand, for instance, the significance of Paul Pennyfeather’s social handicaps in Decline and Fall when he declaims, “I don’t know a word of German, I’ve had no experience, I’ve got no testimonials, and I can’t play cricket.” For James, the game furnished a certain respectability — and “respectability was not an ideal; it was an armour”. The older Jameses craved it just as the young C.L.R. did. His father saw to it that the young C.L.R. acquired the cultural capital needed to secure a spot at Queen’s Royal College, Trinidad’s Eton. There, he studied Latin and Greek under Oxbridge types, who, more importantly, “taught a code, the English public-school code”. If all of this sounds Bridesheady, it’s because it is. He took a de haut en bas view of his fellow natives, whom he disdained because they were less au fait with Burke than he was. “Intellectually I lived abroad, chiefly in England.” Vanity Fair came as a revelation: “George Osborne was the hero.” One can see the appeal of snobbery. Later in life, he would credit “Thackeray, not Marx”, for his turn to the Left.
A career path had been cut out for him: Oxford (read: prestige), lawyering (read: prosperity), political office (read: power). But the rebel had other plans. The lure of cricket wasn’t feasibly resisted. Though he would later be embarrassed by his choice, he plumped to play for Maple, the club for light-skinned West Indians. Shamrock and Queen’s Park Oval were “almost exclusively white… I would have been more easily elected to the MCC than to either.” Stingo was “plebeians: the butcher, the tailor, the candlestick maker, the casual labourer, with a sprinkling of unemployed. Totally black and no social status whatsoever.” Shannon belonged to the “black lower-middle class: the teacher, the law clerk, the worker in the printing office”. Maple, by contrast, was distinctly “brown-skinned and middle class”.
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