Sylvester Stallone never played it safe. (The Specialist/IMDB)

There’s a scene in the movie Demolition Man where two characters have sex — or rather, what passes for sex in the futuristic utopia where the film takes place. The act itself has been replaced by a cybernetic facsimile thereof: now, sex is done fully clothed, from opposite sides of the room, while wearing giant virtual reality helmets that conduct the “digitised transference of sexual energies”. This is when one of the characters, a time-travelling visitor from the unenlightened past played by Sylvester Stallone, takes off his helmet and wryly suggests doing it the old-fashioned way.
His date (Sandra Bullock) recoils: “Ew! Disgusting! You mean…” — she can barely say it without gagging — “…fluid transfer?!”
This scene isn’t exactly pivotal to the movie, but with time it’s come to seem significant. “Rampant exchange of bodily fluids was one of the major reasons for the downfall of society,” Sandra Bullock says, explaining that the practice — which includes not only sex but kissing — has been outlawed in the name of safety. In our future, human touch has been deemed a luxury no enlightened society can afford.
Obviously, our own attempts at social engineering haven’t reached the point of outlawing physical contact, although the height of the Covid pandemic brought us remarkably and sometimes hilariously close. Remember when a Canadian Center for Disease Control recommended that couples have sex through glory holes to avoid breathing on each other? And yet, that instinct towards safetyism is one to which human beings have always been susceptible — and one that’s visible today in our ongoing attempts to streamline, organise, automate and make frictionless all the parts of life that used to be messy.
The vacuum left by the decline of old-fashioned dating and relationshipping, the kind that involved meeting someone in person and experiencing the exciting chemical process known as “hitting it off”, has been filled by a fair amount of explicitly anti-social behaviour as people eschew, or even fear, the possibility of making a connection without the intermediary of a screen. Meanwhile, the lure of the online world and its peculiar system of rewards has upended the etiquette surrounding romantic entanglements, particularly when it comes to being gracious with and about rejection. It is not frowned upon, for instance, to publicly share and mock the awkward messages men send to hopeful matches on dating apps.
The more we delegate to the apps and the algorithms, the more we swipe and tap our screens, the less we ever actually touch anything else, including each other. In lieu of connection, what we increasingly have are services, which offer a safe, controlled facsimile of the real thing. A lot of these are also online: there are the camgirls who perform for a faceless crowd of observers, all competing for their attention through donations. There are the OnlyFans performers who offer the illusion of an intimate online connection in exchange for cash. There are virtual chatbots who will role-play as your girlfriend and talk to you for hours; some of them are even AI clones of real people.
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