(Finnbarr Webster/Getty Images)

A nation lost in what one American commentator described as “an orgy of self-criticism”; an exhausted Tory government out of ideas; an endemic sense of decline. This might describe the Britain of today, but it also describes the Britain of 1963, 60 years ago this weekend, as Prime Minister Harold Macmillan entered the final few weeks of his premiership, and a young Harold Wilson began writing one of the most important — and misunderstood — speeches in Britain’s post-war history. His promise was simple (at least in how it was reported): to unleash the “white heat of technology” to make Britain great again.
Today, we might not think of the Sixties as a time of crippling self-doubt and doom — we save that stereotype for the Seventies. And yet, for many at the time, 1963 was precisely such a moment. This was the year Macmillan was harried out of power under a cloud of scandal, having first failed to take Britain into Europe and then failed to get a grip on the Profumo Affair. The country was fading as a global power and had suffered the indignity of being rejected from joining the new European club by Charles de Gaulle — the man Macmillan had worked so hard to defend during the war. Books at the time captured the mood of the nation with titles such as the Stagnant Society and even Suicide of a Nation.
Dig a little deeper into this moment in time, though, and not only can you see the narrative of decline that Britain was telling itself, but also the fable underneath — the morality tale about why it was apparently decaying. In 1963, the fable went something like this: Britain was failing because it was led by crusty old men incapable of understanding the modern world, amateur-gentlemen such as the patrician old prime minister himself. “His decomposing visage and somehow seedy attire conveyed the impression of an ageing and eccentric clergyman, who had been induced to play the part of a Prime Minister,” wrote the satirist Malcolm Muggeridge. That the Conservative Party chose the 14th Earl of Home as Macmillan’s replacement only heightened the power of the country’s national lament.
If voters needed any more proof of this fable, all they had to do was look across the Atlantic. While Britain had Macmillan, the kind of man who read Aeschylus sheltering in no-man’s land, the Americans had Jack Kennedy, the very symbol of modernity. But it wasn’t just the US that seemed more advanced than Britain; to many — including Wilson — even the Soviet Union seemed more in tune with the modern world, its leaders apparently able to throw the full weight of the state behind the technologies of the future.
Today, it is hard to think of Wilson as a figure of modernity. Perhaps it is the pipe-smoking or the holidays to the Scilly Isles. Or perhaps it is because we know what he was to become: that sad, defeated figure prone to midday tears and drink who left office broken by the weight of the country’s problems. And yet, in 1963, Wilson very much was the coming figure. He was ferociously bright and energetic with an easy wit and a ground-breaking normality. In many respects, he represented as much of a break from the previous era of Macmillan as Blair did in 1997.
On October 1, 1963, speaking to the Labour Party conference in Scarborough, Wilson seemed to capture the zeitgeist as all leaders of the Opposition must. To make Britain “once again one of the foremost industrial nations of the world”, Wilson declared, the Government needed to seize control of almost every aspect of economic life. Under his leadership, the Government would “provide the enterprise and we shall decide where it goes”. And once these new enterprises had been created, he added, there would be no shortage of markets for them to sell their products. “The Russians have talked to me of orders amounting to hundreds of millions over the next few years,” he declared, airily. As absurd as this now sounds, it captured the imagination of the Labour conference — and the country at large. It also required not only a change of government, but a revolution.
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