(Christopher Furlong/Getty)
Louise Distras was once a darling of the anti-establishment Left. An underground punk singer whose hits include “Dreams From the Factory Floor”, this working-class woman is unafraid to speak her mind. Five years ago, she was being invited onstage by Billy Bragg, the folk singer and progressive activist — but since then, a lot has changed. Recently, Bragg has publicly and repeatedly condemned Distras, because she had done what she has always done: speak out against misogyny. This time, though, she was criticising the backlash against women who refuse to recite the “trans women are women” mantra.
Distras has been expressing concern about gender ideology in private since late 2021, but the first time she went public with her opinions was in May of this year. “I’m a woman, and a woman is an adult human female,” she said in an interview with Louder than War, a music website. “I’m a woman that’s experienced domestic abuse.” She later made comments, on Twitter, about how women are silenced for questioning gender ideology: “No amount of rainbows and ‘kindness’ can hide the authoritarianism and misogyny and homophobia that’s on display here, especially in the arts.”
Born in Wakefield in 1987, Distras ran away from home in her teens and, she told me, “stayed with a lot of dangerous people who took advantage of me”. She turned to song writing as a form of escape. Her bravery is remarkable. But as soon as her straightforward resistance to gender ideology became known, she was met with horrendous abuse. Distras has been called every name under the sun, including anti-trans, Nazi, scum, prostitute, grifter, child serial killer, and witch. She soon realised that she had been “marked for life” as a “disgusting terf” — that no redemption would ever be possible. She was told she deserves to be chucked out of the music industry. Her booking agency has said that her attitude towards transwomen could “have detrimental effects on [her] musical career”. Radio stations have stopped playing her songs and venues cancelled her gigs. “If I go back to the industry as it stands,” she says, “if someone had the balls to book me for a gig, I would likely be physically attacked. It’s not safe.”
Having been rejected by the majority of her contacts in the music industry, Distras decided she might as well use her voice to speak out. Alongside five other women, her testimony featured in the Daily Mail about the experience of being ostracised for daring to question gender ideology. One of the first derogatory reactions was from Bragg. “What??”, he tweeted, linking to the feature, which included a photograph of Distras — who usually wears black and leather on stage — wearing a formal dress. “Louise Distras hates trans people so much that she’s willing to dress in a style acceptable to Daily Mail readers in order to have a go at them. What does this have to do with feminism Louise? Or punk rock?”
Bragg fancies himself a bit of a trans ally. And prides himself on being an all-round anti-sexist bloke. In 2014, he posed with a sign, “I pledge never to commit, condone, or remain silent about men’s violence against women in all its forms,” as part of the White Ribbon campaign.
Back in the early days of her career, Bragg championed Distras as one of a “new breed” of singers, tweeting in 2013 that her song Love Me The Way I Am should be our next Eurovision entry. Another of her songs, The Hand You Hold, is about how what women say and do should matter more than how we look, and she tells me that “Billy for some reason loved that song and that’s why he invited me to go play on his stage” — which she did that year, at Glastonbury, and again in 2017. “So for him to now take a pop at me and start criticising what I look like instead of actually listening to what I have to say means he is the biggest hypocrite.”
But it is not only men who have gone after Distras. In a recent interview with Kerrang!, Phoebe Lunny of the Lambrini Girls reacted to Distras speaking out against trans ideology and the silencing of women: “I will scrap any Terf, any day, in person, with my fists.” In a tweet, Distras pointed to the hypocrisy of claiming to be progressive while “inciting violence against women”. She also condemned Kerrang! for publishing the remarks, saying she is “ashamed my face was printed on its pages. Vile!”
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