Lenin's embalmed body in the Red Square (Photo by Georges DeKeerle/Sygma via Getty Images)

Before launching his invasion of Ukraine, Vladimir Putin placed the blame for the war on a surprising figure: Vladimir Lenin. Allegedly, the founding father of the Soviet Union gave away the western territories of Russia as part of the establishment of the Ukrainian Soviet Socialist Republic in 1922. Indeed, 100 years later, Putin framed his annexation of Ukraine’s eastern oblasts as a reversal of this historic communist injustice. For a man repeatedly accused of wanting to restore the Soviet Union, Putin’s expansionism confirms that, as far as the legacy of the Russian Revolution is concerned, Putin is what Lenin would call a counter-revolutionary White rather than a Red.
Yet despite Putin’s hostility to Lenin, the 2013-14 Ukrainian uprising against the pro-Russian government of Viktor Yanukovych was also accompanied by the so-called Leninopad, a mass toppling of Soviet-era statues of Lenin. Meanwhile, in Russian-speaking parts of Ukraine, supporters of Yanukovych rallied to defend Lenin’s statues from the iconoclasts.
That Lenin, a man who died a century ago this week, can be held responsible for Ukraine’s break from the Russian orbit and taken as a symbol of Soviet-Russian domination over Ukraine tells us how obscure Lenin’s politics is today. Notwithstanding the fact his embalmed body still lies in Red Square, the real Lenin has been buried by decades of dictatorship and Cold War, the century of sanctification and vilification.
While Putin sees himself as freeing Russia from Lenin’s malign legacy, Putin’s Western critics see him standing in the line of Russian dictators stretching back to Lenin’s overthrow of Russia’s Provisional Government in the October Revolution of 1917. Yet having spent nearly half of his adult life outside of Russia as a political refugee in London, Paris, Munich, Geneva and Zurich, Lenin was as much a figure of the global Belle Époque across 1880-1914 as he was a Russian — a country which he derided as the “prison of nations”, a reference to the Tsar’s oppression of Russia’s many peripheral peoples and minorities.
In addition to the vast cosmopolitan empires of the Tsar, Kaiser and Habsburg emperor, Lenin’s era was also defined by modern progress — of the Cinématographe and airship, of avant-garde artistic experimentation and scientific breakthroughs, of seemingly inexorable economic expansion and industrialisation. Lenin is often cast as the man whose fanatical and authoritarian leadership of the Russian Revolution undid this glorious era of gentle but inexorable progress, and instead ushered in the grim 20th century of one-party governments, sinister deep-state bureaucracies and secret police regimes. Yet the historical record shows that it was Lenin who tried harder than any of his contemporaries to preserve and extend the progress of his time.
He did this by opposing imperialism — not only of the authoritarian monarchies, but also of the liberal-democratic states of the West. With the outbreak of war in 1914, Lenin’s Social Democratic Labour Party was one of the very few political parties that opposed its own country’s entry into the First World War. This was in keeping with the promises of the Basel Manifesto of 1912, an agreement in which the major socialist parties of the world decided through their global organisation, the Second International, to prevent the outbreak of war through coordinated industrial militancy and political opposition — a promise from which many reneged in 1914. Since then, conservatives and liberals alike have bemoaned the disaster of the First World War, while at the same time reserving a special place in hell for one of the very few political leaders in Europe who spoke out against it at the time: Lenin.
It was the Great War that would rip apart the world of the Belle Époque and snuff out the lights across Europe, in the words of the British Foreign Secretary of the time Sir Edward Grey. John Maynard Keynes, another upper-crust figure of this era, concluded that in undoing the “happy age” of European civilisation, the war also revealed the underbelly of that era — what he characterised as the “projects and politics of militarism and imperialism, of racial and cultural rivalries, of monopolies, restrictions, and exclusion”, which, he argued, played the “serpent” to the “paradise” of Edwardian-era globalisation.
Unsurprisingly, Lenin thought differently. Rather than rueing the loss of grand bourgeois civilisation or viewing the war as an inevitable fall from grace, he saw the era’s social development as an unstable compound of conflicting forces, which it was potentially possible to steer. As Lenin told the Romanian poet Valeriu Marcu, a fellow wartime exile in Zurich, during a discussion on how best to oppose the war: “One must always be as radical as reality itself.”
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