In search of the Noosphere (Ollie Millington/Redferns)

After years of being told that the smartphone revolution has turned us into an atomised scrolletariat, we may be on the cusp of liberation. As part of his latest project, OpenAI’s will-he-won’t-he CEO Sam Altman has set his sights on shattering the screen-based paradigm — by building the “iPhone of AI”. Nor is he the only one: towards the end of last year, Humane launched the screenless Pin, a $699 clip-on AI voice assistant.
On the surface, this new race to curb screen time seems like a positive development. For years, underwhelming iPhone launches have triggered dreary sighs of boredom rather than round-the-block queues, while critiques of addiction-powered surveillance capitalism have trickled out of the academy and into the mainstream press. If screens are our tormentor, one could easily conclude, then perhaps these screenless devices will be our salvation.
But what if our obsession with “screen time” is itself a smokescreen? What if, rather than saving us, this vanishing act obscures the deeper drivers of our digital dissatisfaction? After all, the real rot at the core of modern computing is not screens, but the Scylla and Charybdis of digital life: the unceasing acceleration of culture and human anxieties about our finitude.
Once upon a time, speed was the aspiration of commerce. The rise of clock time and the industrial revolution made doing things quickly the lifeblood of competition. Responding to this acceleration of life after the Second World War, French philosopher and architect Paul Virilio lamented how: “The speed of light does not merely transform the world. It becomes the world.” Since then, speed has graduated from being the aspiration of commerce to becoming the central objective of culture. Whether it’s the movement of goods and services or the diffusion of ideas, Virilio’s theory of “dromology” explores how intense capital investment in technologies that compress time and space have become our defining logic. These technologies accelerate the transportation of matter and ideas, scrambling our experience of time and place. In Open Sky, his 1997 polemic on technology, he mourns: “How can we live if there is no more here and everything is now?”
If Virilio saw time-space compression as an inherently destructive force, Pierre Teilhard de Chardin, a 20th-century Jesuit theologian and palaeontologist (best known for discovering Peking Man) actively cheered it on. To Teilhard de Chardin and his Silicon Valley intellectual descendants, the creation of a light-speed sphere of knowledge and communication that floats above our mundane world was the ultimate aspiration of humanity. Through his Darwin-inspired Catholicism, he longed for an invisible consciousness that he termed the “Noosphere” — a realm of cognition between the atmosphere and the biosphere. This, he dreamed, would foster a unified connected human consciousness which would be the final stage of evolution: the convergence of the physical (the “hardware” of human brains and technologies) and the metaphysical (the “software” of human soul and intellect). At this evolutionary end point, which he called the Omega Point, humanity would achieve divine salvation.
Virilio and Teilhard de Chardin’s competing worldviews represent the tension at the heart of this battle of salvation from screens. Altman and Humane identify screens as the barrier to a better future, but Virilio leads us to an altogether different view: screens are not the problem. They are simply the portal that enforces constant communion with this Noosphere. It is the possibility of being connected to it, and transcending ordinary life, that is breaking our brains — not the medium that gets us there.
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