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		<title>Auden - UnHerd</title>
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					<title>The importance of being British</title>
					<link>https://stage.unherd.com/2022/01/the-importance-of-being-british/?edition=us</link>
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					<dc:creator>
						<![CDATA[Nigel Biggar]]>
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							<![CDATA[Not Hilary Mantel (Slater/Cherry/Shillingford/Mirrorpix/Getty Images)]]>
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							<![CDATA[<p><strong>Nigel Biggar</strong> is Regius Professor of Moral and Pastoral Theology, University of Oxford</p>
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						</unherd:twitter_bio>
						<unherd:twitter_handle>NigelBiggar</unherd:twitter_handle>
															<unherd:author_bio>
						<![CDATA[ is Regius Professor of Moral and Pastoral Theology, University of Oxford]]>
					</unherd:author_bio>
										<pubDate>Mon, 10 Jan 2022 00:00:51 +0000</pubDate>
					<updated>Tue, 01 Mar 2022 12:15:52 +0000</updated>
							<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Alex Salmond]]></category>
		<category><![CDATA[Auden]]></category>
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		<category><![CDATA[Britain]]></category>
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		<category><![CDATA[Hilary Mantel]]></category>
		<category><![CDATA[History]]></category>
		<category><![CDATA[Nationalism]]></category>
		<category><![CDATA[Patriotism]]></category>
		<category><![CDATA[Racism]]></category>
		<category><![CDATA[Scotland]]></category>
		<category><![CDATA[Scottish Nationalism]]></category>
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								<![CDATA[Patriotism is now viewed as a modern disease]]>
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								<![CDATA[<p>In late 1982, I was a 27-year-old graduate student, living in Chicago and about to marry a US citizen. I had the prospect of making my life and pursuing a career in America. But I vividly remember, a week or two before the wedding, a conversation with two American friends, in which it became clear that they assumed that I would be settling in the New World.</p>
<p>Without a moment’s hesitation, I corrected them. I told them that I was intent upon returning to my own country, for good or for ill. My friends were mildly stunned. I like Americans — so much that I married one. But I know where I belong: here in Britain.</p>
<p>Quite why I feel this way is not easy to explain. Lots of people who were born here and who live here don’t feel that way — or at least, they don’t appear to. And yet it has determined the direction of the whole of my life. In the words of W. H. Auden, I accept the fate I am. I accept it as a vocation to be true to my deeply felt attachment — and now to confess it.</p>
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<p>I say ‘confess’, because throughout my life I have been acutely aware that in the educated, middle-class social circles of my own generation, patriotism has been regarded — and is still regarded — as embarrassing. I am aware that, if old and dear friends in Oxford and in London, politically centrist with a leaning to the Left, read this, there will be a sharp intake of breath and a sucking of teeth — a mental stepping back, as if they’d just encountered something diseased.</p>
<p>I have been aware of the un-coolness of patriotism among members of my own class and generation for all of my life, which is why I have suppressed it. I have always felt it, but rarely expressed it — because I assumed that ‘everyone else’ must know better. However, older age, I have found, confers two benefits: first, one finally knows what one thinks; and second, one cares less for what other people think. So, I now say what I have always felt. I confess the truth: I am a British patriot.</p>
<div class="ref-ar"><a href="https://stage.unherd.com/2021/12/it-is-better-to-be-woke-than-dead/?edition=us&#038;ref=refinnar" class="text-decoration-none border-0"><a href="https://stage.unherd.com/2021/12/it-is-better-to-be-woke-than-dead/?edition=us&#038;ref=refinnar" class="text-decoration-none border-0"><img decoding="async" src="https://stage.unherd.com/wp-content/uploads/2021/12/GettyImages-1218218821-1.jpg?w=300" /></a><div class="content"><a href="https://stage.unherd.com/2021/12/it-is-better-to-be-woke-than-dead/?edition=us&#038;ref=refinnar" class="text-decoration-none border-0"><span class="meta">Suggested reading</span></a><a href="https://stage.unherd.com/2021/12/it-is-better-to-be-woke-than-dead/?edition=us&#038;ref=refinnar" class="text-decoration-none border-0"><h5>What Brexiteers get wrong about empire</h5></a><p class="author"><a href="https://stage.unherd.com/2021/12/it-is-better-to-be-woke-than-dead/?edition=us&#038;ref=refinnar" class="text-decoration-none border-0"><span>By</span> Ferdinand Mount</a></p></div></a></div>
<p>Accordingly, I have become critical of my self-styled ‘progressive’ friends. Not critical, necessarily, of their attachment to Europe, but critical of their habitual silence over the signal blessings that life in this country has conferred on them — and critical, most of all, of their habitual tendency to denigrate it, unnecessarily and irrationally.</p>
<p>Hilary Mantel, the famous author of <em>Wolf Hall</em>, is not a friend of mine, but she does represent lots of people I know. Last September she told the Italian newspaper, <em>La Repubblica</em>, that she’s planning on moving to Ireland, so that she can become European again. Why? Because, she says, Britain is “an artificial and precarious construct” and has shown its “ugly face” in “abusing exhausted refugees even as they scramble to the shore”.</p>
<p>Now, Dame Hilary was born in Derbyshire, blessed with a university education at the LSE and Sheffield, enabled to become a best-selling and prize-winning novelist, and then awarded public recognition in the form, first of a CBE, and then of a DBE. Such a person, I suggest, owes Britain considerable gratitude, and if she is moved to think ill of her country, it should only be under great pressure and with great reluctance. But Dame Hilary’s alienation is partly incoherent, partly untrue. It’s not reluctant; it’s wilful.</p>
<p>She says that Britain is an artificial construct. Of course, it is. Every state is man-made and artificial. No state ever dropped out of heaven. Britain in its current form as the United Kingdom did not exist before 1707. The United States did not exist before 1783, nor Italy before 1871, nor Ireland before 1922. Since states are artificial, not natural, they come and go: Czechoslovakia was founded in 1918 and in 1993 it ceased to exist.</p>
<p>Perhaps, however, by calling Britain artificial, Mantel means that it’s an unnatural yoking together of different peoples — English, Welsh, Scottish, and Irish. But if that’s what she thinks of the UK, what on earth does she think of the EU? The artificiality of a state, or its multinational character, is no reason for leaving it.</p>
<p>What then about the ugly, racist face of contemporary Britain? Well, there’s no denying that racism exists here — as it does in Europe. But according to the 2018 report of the European Union Agency for Fundamental Rights, racial discrimination occurs less in Britain than in any other EU member state, including Ireland. (Just for the record, I voted Remain in 2016, not out of blind faith in the EU, but out of Burkean caution. Now, however, I want Brexit to succeed with my whole heart.)</p>
<p>So something perverse, something dishonest, is going on here. One reason, I take it, why my ‘progressive’ friends would suck their teeth if they heard my patriotic confession, is that they find it very difficult to distinguish patriotism from nationalism, and nationalism from fascism. So let me make quite clear what kind of patriot I am. I am a Christian patriot.</p>
<p>What does that mean? In part, it means that I recognise that my country, like every other, is indeed an artificial construct. It is man-made. It is not divine and eternal. My country is not God. In that respect, my Christian patriotism is quite distinct from the kind of Romantic nationalism that so scarred the twentieth century, most infamously in Germany. In this kind of nationalism, the nation is a substitute for God and it’s by investing oneself wholly in the life of the nation that the individual achieves a kind of immortality.</p>
<div class="ref-ar"><a href="https://stage.unherd.com/2021/11/in-defence-of-defending-empire/?edition=us&#038;ref=refinnar" class="text-decoration-none border-0"><a href="https://stage.unherd.com/2021/11/in-defence-of-defending-empire/?edition=us&#038;ref=refinnar" class="text-decoration-none border-0"><img decoding="async" src="https://stage.unherd.com/wp-content/uploads/2021/11/2GettyImages-52100713-e1637254235706.jpg?w=300" /></a><div class="content"><a href="https://stage.unherd.com/2021/11/in-defence-of-defending-empire/?edition=us&#038;ref=refinnar" class="text-decoration-none border-0"><span class="meta">Suggested reading</span></a><a href="https://stage.unherd.com/2021/11/in-defence-of-defending-empire/?edition=us&#038;ref=refinnar" class="text-decoration-none border-0"><h5>In defence of defending empire</h5></a><p class="author"><a href="https://stage.unherd.com/2021/11/in-defence-of-defending-empire/?edition=us&#038;ref=refinnar" class="text-decoration-none border-0"><span>By</span> Robert Tombs</a></p></div></a></div>
<p>Such an idolatrous nationalism conflates the nation with divinity. Christian patriotism cannot do that. Therefore, the Christian patriot recognises that his loyalty to his country cannot be blind and it has to be critical, holding it to account before the law of God.</p>
<p>My Christian ideal of patriotism was incarnated, as it happens, in the life of a German. His name was Helmuth James von Moltke. A lawyer, he was the great-grand-nephew of Bismarck’s famously victorious general. Although an aristocrat, he became a Christian socialist and an opponent of the Nazi Party. In the mid-Thirties, he came to England to qualify for the English bar in case he should decide to flee here with his family. In the end, however, he chose to return to his country, to suffer alongside his people, and to do what he could to mitigate the evils of the Nazi regime and prepare for a better future.</p>
<p>And yet he did not support the July 1944 plot to kill Hitler. The reason was that he foresaw that the plot, were it to succeed, would have given Germany a conservative regime that, while not Nazi, was not different enough. He believed that, in order to be redeemed, Germany had to suffer an unequivocal, catastrophic defeat, before being reconstructed from the bottom up. Imagine how painful it must have been for a patriot to want that for his country. Christian patriotism is not Romantic nationalism. The Christian patriot must be willing to play prophet to his country, criticising it because he loves it and wants to save its soul.</p>
<p>So, I am a Christian patriot. But I’m also a British patriot. I have always been a <em>British</em> patriot because I am an Anglo-Scot, born in Scotland to a Scottish father and an English mother, and educated on both sides of the border. I do not answer to ‘English’ or ‘Scottish’, for, being both, I am British.</p>
<p>During the run-up to the referendum on Scottish independence in 2014 I lost several nights’ sleep worrying about the possible break-up of the United Kingdom. As a Christian, I had to admit that it was possible that the UK <em>should</em> break up. It could be that its time had come to and end and that, like Czechoslovakia, it should disintegrate into its constituent parts. At the time, I found it difficult to explain why I was viscerally opposed to this conclusion, and what would be lost if the UK were to disintegrate.</p>
<p>However, in the months following the independence referendum, I discovered at least two things about what the UK is good for. First, the UK is good for multi-national trust and solidarity. Germans identify themselves very closely indeed with the European Union. Yet German taxpayers are adamantly opposed to fiscal transfers, whereby their resources are used to subsidise the French, no matter the Greeks. In contrast, the English, and especially Londoners, hardly bat an eyelid at the redistribution of ’their’ taxes to Scotland or Northern Ireland, or indeed other parts of England and Wales.</p>
<p>During the referendum campaign Alex Salmond was glibly misleading on a number of things. One of them was the supposed ease of the process of dis-uniting. In addition to the Queen, the BBC, and the pound, Salmond genially assured us that the ‘social union’ would persist.</p>
<div class="ref-ar"><a href="https://stage.unherd.com/2021/02/the-rise-of-green-imperialism/?edition=us&#038;ref=refinnar" class="text-decoration-none border-0"><a href="https://stage.unherd.com/2021/02/the-rise-of-green-imperialism/?edition=us&#038;ref=refinnar" class="text-decoration-none border-0"><img decoding="async" src="https://stage.unherd.com/wp-content/uploads/2021/02/GettyImages-1032742542.jpg?w=300" /></a><div class="content"><a href="https://stage.unherd.com/2021/02/the-rise-of-green-imperialism/?edition=us&#038;ref=refinnar" class="text-decoration-none border-0"><span class="meta">Suggested reading</span></a><a href="https://stage.unherd.com/2021/02/the-rise-of-green-imperialism/?edition=us&#038;ref=refinnar" class="text-decoration-none border-0"><h5>The age of empire is back</h5></a><p class="author"><a href="https://stage.unherd.com/2021/02/the-rise-of-green-imperialism/?edition=us&#038;ref=refinnar" class="text-decoration-none border-0"><span>By</span> Aris Roussinos</a></p></div></a></div>
<p>But since English and Scottish interests would be opposed, it’s a practical certainty that negotiations would be fractious. It’s highly probable that the separating Scots would not get all that they wanted, and that, in turn, the English would recover a resentment of the Scots not seen since the 18<sup>th</sup> century.</p>
<p>The truth is that we here in the UK have achieved a level of multi-national trust and solidarity of which the EU can still only dream. It’s a precious achievement, which we should not take for granted nor surrender lightly. That’s one thing the UK is good for.</p>
<p>A second thing is the security and promotion of humane and liberal values. There is a strong strain in contemporary Scottish nationalism, as there is in Corbynite socialism, which believes in the equation, “Britain equals Empire equals Evil”. By ‘Empire’ here is meant, not only the imperial past, but the present aspiration to play a global role in bolstering the liberal international order.</p>
<p>According to some nationalists, therefore, for Scotland to separate from England, and so to disintegrate the United Kingdom, would be an act of national repentance and self-purification. It would redeem the English as well as the Scots.</p>
<p>This view is documented in John Lloyd’s excellent book, <em>Should Auld Acquaintance be Forgot</em>, in which he quotes from Robert Musil 1930s novel, <em>A Man without Qualities,</em> which was set during the decline of the Austrian Empire around 1900. Of that empire, Musil wrote “However well founded an order may be, it always rests in part on a voluntary faith in it, a faith that, in fact, always marks the spot where the new growth begins, as in a plant; once this unaccountable and uninsurable faith is used up, the collapse soon follows; epochs and empires crumble no differently from business concerns when they lose their credit”.</p>
<p>I agree with Musil that faith in what we might call a globally responsible Britain is uninsurable: there’s no guarantee that it won’t be lost. But I disagree that it is unaccountable. I think a good account can still be given.</p>
<p>Maybe in the Nineties we thought that History had ended, that the West had won, and that NATO had lost its reason for living. But with an aggressively nationalist Russia rattling its nuclear sabre on the borders of Europe, and with a ruthlessly authoritarian China building military bases in the South China Sea, it seems that humane and liberal values still need defending. So, who will defend them? The United States, we hope. But after that, who? Arguably, the UK, more or less alongside France.</p>
<p>Britain may no longer rule the waves single-handed, but we can still help to rule them. The fact that we’re no longer Number One in the world doesn’t mean that we’re nothing. If the UK were to disintegrate, one of the West’s three serious military powers would be hamstrung.</p>
<div class="ref-ar"><a href="https://stage.unherd.com/2021/09/how-liberals-made-the-british-empire/?edition=us&#038;ref=refinnar" class="text-decoration-none border-0"><a href="https://stage.unherd.com/2021/09/how-liberals-made-the-british-empire/?edition=us&#038;ref=refinnar" class="text-decoration-none border-0"><img decoding="async" src="https://stage.unherd.com/wp-content/uploads/2021/09/2gettyimages-463925341-594x594-1.jpg?w=300" /></a><div class="content"><a href="https://stage.unherd.com/2021/09/how-liberals-made-the-british-empire/?edition=us&#038;ref=refinnar" class="text-decoration-none border-0"><span class="meta">Suggested reading</span></a><a href="https://stage.unherd.com/2021/09/how-liberals-made-the-british-empire/?edition=us&#038;ref=refinnar" class="text-decoration-none border-0"><h5>How liberals made the British Empire</h5></a><p class="author"><a href="https://stage.unherd.com/2021/09/how-liberals-made-the-british-empire/?edition=us&#038;ref=refinnar" class="text-decoration-none border-0"><span>By</span> Aris Roussinos</a></p></div></a></div>
<p>So, I think that the United Kingdom is good both for multinational solidarity and for a liberal world order. My British faith still has credit in the bank. That’s why I am a British patriot.</p>
<p>But it is not just Scottish nationalists who disagree. Another major way of corroding faith in global Britain is to denigrate its historical record, the most recent part of which involves empire. This is why the decolonisers focus so relentlessly on slavery, presenting it as Britain’s dirty secret.</p>
<p>There are two main objections to this story. First, as I’ve indicated, there is hard social scientific evidence that contemporary Britain is actually one of the least racist countries in Europe. More recently, this year saw the publication of the so-called ‘Sewell report’ of the Commission on Race and Ethnic Disparities, which concluded that Britain is not systemically racist. The second problem with the decolonisers’ equation of the British Empire with slavery and the ugly racism behind it is that fact that the Empire was the first major power in the history of the world to abolish the slave-trade and slavery in the name of a Christian conviction of the fundamental equality of all human races under God.</p>
<p>John Wesley, Anglican priest and founder of Methodism, prefaced his <em>Thoughts upon Slavery</em> (1774) with a quotation of the tenth verse of the fourth chapter of the Book of Genesis: “And the Lord said—What hast thou done? The voice of thy brother’s blood crieth unto me from the ground”. The context is Cain’s murder of his brother Abel and the implication is clear: African and Englishman, slave and master, are brothers, common children of the same God. This was the racially egalitarian view that triumphed in 1807 when the British parliament voted to abolish the trade in slaves throughout the Empire, and again in 1833, when it voted to abolish the institution of slavery altogether.</p>
<p>What is more, from 1807 and throughout the second half of its existence until the Sixties, the Empire was committed to suppressing the trade and the institution across the world — from Brazil, across Africa, to India and Malaysia. In the 1820s and 30s, the Slave Trade Department was the largest unit in the Foreign Office.</p>
<p>At one point in mid-century, the Royal Navy was deploying over 13% of its total manpower in suppressing the trade in slaves between west Africa and the Americas. According to the economic historian, David Eltis, the British spent almost as much suppressing the Atlantic trade in the 47 years from 1816-62 as they earned in profits over the same length of time leading up to 1807. And according to the American scholars of international relations, Chaim Kaufmann and Robert Pape, Britain’s effort to suppress the Atlantic trade in 1807-67 was “the most expensive example [of costly international moral action] recorded in modern history”.</p>
<p>So, no, there is no causal connection that runs through the British Empire from colonial slavery in the past to systemic racism today. Britain today is not systemically racist. And between the slave trade and slavery of the 18<sup>th</sup> century and the present lie 150 years of imperial penance in the form of costly abolitionist endeavour to liberate slaves around the globe. The vicious racism of slavers and planters was not essential to the British Empire, and whatever residual racism exists in Britain today is not its fruit.</p>
<p>Despite the heated nature of these debates, some, on both the Right and the Left, think that the ‘Culture Wars’ are a fuss about nothing. I could not disagree more strongly. What’s at stake in the ‘decolonising’ front of the ‘Culture Wars’ is nothing less than faith in Britain.</p>
<p>Keeping that faith is important for the welfare of human beings, not only on these islands, but all over the world. That is why I’m a British patriot.</p>
<p>&nbsp;</p>
<p><em>A version of this article was delivered at a meeting of the National Club in September 2021.  </em></p>
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					<title>What&#8217;s the point of political fiction?</title>
					<link>https://stage.unherd.com/2019/06/whats-the-point-of-political-fiction/?edition=us</link>
											<comments>https://stage.unherd.com/2019/06/whats-the-point-of-political-fiction/?edition=us#respond</comments>
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					<dc:creator>
						<![CDATA[Sam Leith]]>
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					<unherd:creator_img>https://stage.unherd.com/wp-content/uploads/2019/10/Sam.jpg?w=96</unherd:creator_img>
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							<![CDATA[Filming The Handmaid's Tale on the National Mall in Washington, D.C. (Photo by Calla Kessler for The Washington Post via Getty Images)]]>
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							<![CDATA[<div><strong>Sam Leith</strong> is literary editor of <i>The Spectator. </i>His latest book is <a href="https://www.amazon.co.uk/Haunted-Wood-History-Childhood-Reading/dp/0861548183" target="_blank" rel="noopener"><em>The Haunted Wood: A History of Childhood Reading</em></a>.</div>
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						<unherd:twitter_handle>questingvole</unherd:twitter_handle>
															<unherd:author_bio>
						<![CDATA[ is literary editor of <i>The Spectator. </i>His latest book is <a href="https://www.amazon.co.uk/Haunted-Wood-History-Childhood-Reading/dp/0861548183" target="_blank" rel="noopener"><em>The Haunted Wood: A History of Childhood Reading</em></a>.</div>]]>
					</unherd:author_bio>
										<pubDate>Thu, 06 Jun 2019 05:35:14 +0000</pubDate>
					<updated>Tue, 15 Oct 2019 11:19:58 +0000</updated>
							<category><![CDATA[Uncategorized]]></category>
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		<category><![CDATA[fiction]]></category>
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								<![CDATA[Novels rarely make laws – but they enlarge our political vocabulary]]>
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<p class="p1"><span class="s1">The relationship between art and politics is often summed up with a line of Auden’s, from his <a href="https://poets.org/poem/memory-w-b-yeats" target="_blank" rel="noopener noreferrer">elegy for W. B. Yeats</a>: “Poetry makes nothing happen”; “It survives in the valley of its making […] a way of happening, a mouth.” Those with longer memories may quote Shelley’s view that poets are the “unacknowledged legislators of the world” – a pungent little phrase where the stress, and the burden of irony, fall on the word “unacknowledged”. </span></p>
<p class="p1"><span class="s1">Yet if this is so, why have people written and painted – and why do they continue to write and paint – songs, poems, novels and paintings with an expressly political agenda? There’s not much point in making legislation if nobody even acknowledges it, let alone enforces it. Shouldn’t they all just stick to, y’know, </span><span class="s2">feelings</span><span class="s1"> and suchlike? </span></p>
<p class="p1"><span class="s1">Well, they don’t. And as a judge of the inaugural <a href="https://www.orwellfoundation.com/the-orwell-prizes/about/about-the-prizes/" target="_blank" rel="noopener noreferrer">Orwell Prize for Political Fiction</a>, I’ve seen a lot of evidence that, <a href="https://www.thenation.com/article/june-8-1949-george-orwells-1984-published/" target="_blank" rel="noopener noreferrer">70 years after the publication of <em>1984</em></a>, this tradition is alive and well. (What counts as political fiction? Answering that question – which isn’t a simple one – is part of the fun.) And it prompted me to wonder aloud recently (</span><span class="s1">our wondering aloud is, of course, done on social media these days) how many novels could be said to have had a direct impact on politics.</span></p>
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<div class="ref-ar"><a href="https://stage.unherd.com/2019/05/call-yourself-well-read/?edition=us&#038;ref=refinnar" class="text-decoration-none border-0"><a href="https://stage.unherd.com/2019/05/call-yourself-well-read/?edition=us&#038;ref=refinnar" class="text-decoration-none border-0"><img decoding="async" src="https://stage.unherd.com/wp-content/uploads/2019/05/GettyImages-175138224.jpg?w=300" /></a><div class="content"><a href="https://stage.unherd.com/2019/05/call-yourself-well-read/?edition=us&#038;ref=refinnar" class="text-decoration-none border-0"><span class="meta">More from this author</span></a><a href="https://stage.unherd.com/2019/05/call-yourself-well-read/?edition=us&#038;ref=refinnar" class="text-decoration-none border-0"><h5>Call yourself well-read?</h5></a><p class="author"><a href="https://stage.unherd.com/2019/05/call-yourself-well-read/?edition=us&#038;ref=refinnar" class="text-decoration-none border-0"><span>By</span> Sam Leith</a></p></div></a></div>
<p class="p1"><span class=""><span class="s1">I used a couple of examples to chum the water. One was Upton Sinclair’s 1906 novel </span><a href="https://www.penguin.co.uk/books/333/33368/the-jungle/9780140390315.html" target="_blank" rel="noopener noreferrer"><em><span class="s2">The Jungle</span></em></a><span class="s1">, set amid the Chicago meatpacking industry. It is (as I remember it) a compelling tale of human misery and suboptimal food hygiene standards – and it is, as with some of the best political fiction, a blend of fiction and reportage. If you’re going to write a political novel of the realist variety, its truth-to-reality matters: Sinclair really had worked in the stockyards of Chicago, just as George Orwell really worked as a </span><span class="s2">plongeur</span><span class="s1"> and really visited Wigan.   </span></span></p>
<p class="p1"><span class=""><span class="s1">It’s also an example that flags up one of the problems of fiction as a</span><span class="s1"> means of </span><span class="s4">political</span><span class="s1"> intervention. Literary meaning is, as all A-level students know, a creation of readerly interpretation rather than authorial intention. An urgent broadside against labour exploitation (Sinclair was a campaigning socialist), </span><em><span class="s2">The Jungle</span></em><span class="s1"> didn’t have quite the effect its author hoped: it moved not its readers’ hearts, but their stomachs, and it sparked a vast public outcry against… all the revolting abbatoir-floor-scrapings that went into cheap food. (One particularly cheery scene sees a worker toppling into the rendering tank and being duly turned into lard for public sale.)</span></span></p>
<p class="p1"><span class=""><span class="s1">As Sinclair glumly noted, his novel caught attention “not because the public cared anything about the workers, but simply because the public did not want to eat tubercular beef”. Catch attention it did, though: it led directly to the formation of what is now the Food and Drug Administration (FDA) in America.</span></span></p>
<p><span class=""><span class="s1">Another novel I mentioned was </span><span class="s2"><a href="https://www.gutenberg.org/files/203/203-h/203-h.htm" target="_blank" rel="noopener noreferrer"><em>Uncle Tom’s Cabin</em></a>, </span><span class="s1">Harriet Beecher Stowe’s 1852 antislavery novel – which was among the bestselling books of the 19th century and is credited with having put rocket fuel in the abolitionist cause and helped pave the way for the American civil war. Indeed, Abraham Lincoln is said (apocryphally) to have saluted Stowe when they met with the words: “So this is the little lady who started this great war.&#8221; Chalk some political impact up to Stowe, then.</span></span></p>
<div class="ref-ar"><a href="https://stage.unherd.com/2019/02/can-books-save-a-dying-town/?edition=us&#038;ref=refinnar" class="text-decoration-none border-0"><a href="https://stage.unherd.com/2019/02/can-books-save-a-dying-town/?edition=us&#038;ref=refinnar" class="text-decoration-none border-0"><img decoding="async" src="https://stage.unherd.com/wp-content/uploads/2019/02/GettyImages-872079068-e1578477086638.jpg?w=300" /></a><div class="content"><a href="https://stage.unherd.com/2019/02/can-books-save-a-dying-town/?edition=us&#038;ref=refinnar" class="text-decoration-none border-0"><span class="meta">Suggested reading </span></a><a href="https://stage.unherd.com/2019/02/can-books-save-a-dying-town/?edition=us&#038;ref=refinnar" class="text-decoration-none border-0"><h5>Can books save a dying town?</h5></a><p class="author"><a href="https://stage.unherd.com/2019/02/can-books-save-a-dying-town/?edition=us&#038;ref=refinnar" class="text-decoration-none border-0"><span>By</span> Josh Adams</a></p></div></a></div>
<p class="p1"><span class=""><span class="s1">Others soon chimed in with examples I hadn’t thought of – first among them Robert Tressell’s posthumously-published 1911 classic of breadline life </span><span class="s2"><a href="https://www.gutenberg.org/files/3608/3608-h/3608-h.htm" target="_blank" rel="noopener noreferrer"><em>The Ragged-Trousered Philanthropists</em></a>. </span><span class="s1">This – like the aforementioned – opened up to bien-pensant middle-class readers a world that they may have been barely conscious existed. The critic D J Taylor quoted Alan Sillitoe’s view that the book had “won the 1945 General Election for Labour”.</span></span></p>
<p class="p1"><span class=""><span class="s1">A J Cronin’s 1937 medical novel </span><em><span class="s2">The Citadel</span></em><span class="s1"> is credited with having influenced the creation of the NHS. Charles Kingsley’s sentimental 1863 fable against child labour, </span><span class="s2"><em>The Water-Babies</em>, </span><span class="s1">is credited with influencing the <a href="https://www.parliament.uk/about/living-heritage/transformingsociety/livinglearning/19thcentury/overview/childrenchimneys/" target="_blank" rel="noopener noreferrer">Chimney Sweepers Regulation Act</a> of 1864, which proved ineffective but paved the way to successful legislation a decade later. And, in the animal world, Anna Sewell’s 1877 novel </span><em><span class="s2">Black Beauty </span></em><span class="s1">caused outcry on both sides of the Atlantic about cruelty to animals – and directly influenced the banning of the “bearing rein” in Victorian England.</span></span></p>
<p class="p1"><span class=""><span class="s1">Add to that Solzenhitsyn’s newsflash from the Gulag,</span><em><span class="s2"> One Day in The Life of Ivan Denisovich</span></em><span class="s1"> (the Ukrainian journalist </span><span class="s4">Vitaly Korotich</span><span class="s1"> said: “The Soviet Union was destroyed by information … and this wave started from Solzhenitsyn&#8217;s </span><span class="s2">One Day”</span><span class="s1">). Theodor Herzl’s 1902 utopia </span><em><span class="s2">Altneuland</span></em><span class="s1"> set out his vision of Zionism in fictional form – and, in its Hebrew translation</span><em><span class="s2"> Tel Aviv</span></em><span class="s1">, gave its name to Israel’s newly founded second city.</span></span></p>
<p class="p1"><span class=""><span class="s1">Nikolai Chernyshevsky’s 1863 socialist clarion call </span><em><span class="s2">What Is To Be Done?</span></em><span class="s1"> not only led to the founding of the revolutionary Land and Liberty society but put fire in Lenin’s belly (he borrowed its title for his <a href="https://www.marxists.org/archive/lenin/works/1901/witbd/" target="_blank" rel="noopener noreferrer">1902 pamphlet</a>) and has been credited with supplying, more than anything Marx wrote, &#8220;the emotional dynamic that eventually went to make the Russian Revolution”. </span></span></p>
<p class="p1"><span class=""><span class="s1">We could also say that</span><em><span class="s2"> Lady Chatterley’s Lover</span></em><span class="s1"> and </span><em><span class="s2">The Satanic Verses</span></em><span class="s1"> had a direct impact on politics – though in both cases not so much because of what they said as because of the <a href="https://www.newyorker.com/magazine/1960/11/19/the-lady-at-the-old-bailey" target="_blank" rel="noopener noreferrer">legal and political storms</a> surrounding their publication.  </span></span></p>
<div class="ref-ar"><a href="https://stage.unherd.com/2019/04/how-punditry-polluted-the-novel/?edition=us&#038;ref=refinnar" class="text-decoration-none border-0"><a href="https://stage.unherd.com/2019/04/how-punditry-polluted-the-novel/?edition=us&#038;ref=refinnar" class="text-decoration-none border-0"><img decoding="async" src="https://stage.unherd.com/wp-content/uploads/2019/04/GettyImages-1084226360.jpg?w=300" /></a><div class="content"><a href="https://stage.unherd.com/2019/04/how-punditry-polluted-the-novel/?edition=us&#038;ref=refinnar" class="text-decoration-none border-0"><span class="meta">Suggested reading </span></a><a href="https://stage.unherd.com/2019/04/how-punditry-polluted-the-novel/?edition=us&#038;ref=refinnar" class="text-decoration-none border-0"><h5>How punditry polluted the novel</h5></a><p class="author"><a href="https://stage.unherd.com/2019/04/how-punditry-polluted-the-novel/?edition=us&#038;ref=refinnar" class="text-decoration-none border-0"><span>By</span> Douglas Murray</a></p></div></a></div>
<p class="p1"><span class=""><span class="s1">But these cases of direct impact are relatively rare. I also mentioned Dickens, for instance – whose novels dramatised the plight of England’s urban poor and a range of social injustices – and wondered whether he’d had some indirect impact. Indirect it was. A few years back a number of scholars were asked by the BBC about the impact of his work and the editor of <em>The Dickensian</em>, Professor Malcolm Andrews, said:</span></span></p>
<blockquote>
<p class="p1"><span class=""><span class="s1">&#8220;Although in his journalism and novels he attacked specific targets – Poor Law legislation in </span><em><span class="s2">Oliver Twist</span></em><span class="s1">, the brutal Yorkshire schools in </span><em><span class="s2">Nicholas Nickleby</span></em><span class="s1">, the law, government bureaucracy, lethargy and nepotism in </span><em><span class="s2">Little Dorrit</span></em><span class="s1">, extremist utilitarianism in </span><em><span class="s2">Hard Times</span></em><span class="s1"> – it&#8217;s hard to trace any direct consequences on reformist legislation in any of those areas to Dickens&#8217;s influence.&#8221; </span></span></p>
</blockquote>
<p class="p1"><span class=""><span class="s1">The other person I mentioned, by way of reminding everyone that not all writers of fiction are cosy liberals, was Ayn Rand. Her philosophy of Objectivism (as set out in her novels </span><em><span class="s2">The Fountainhead</span></em><span class="s1"> and </span><em><span class="s2">Atlas Shrugged</span></em><span class="s1">) was a devil-take-the-hindmost creed of laissez-faire market individualism that, though it didn’t lead directly to legislation, has undoubtedly become a vital part of the intellectual genealogy of America’s libertarian right. She was once called the <a href="https://www.nytimes.com/1987/09/13/weekinreview/where-atlas-shrugged-is-still-read-forthrightly.html" target="_blank" rel="noopener noreferrer">“novelist laureate” of the Reagan administration</a>. </span></span></p>
<p class="p1"><span class="s1">And here, perhaps, is where the influence-on-politics-game runs into the sand. There are only a handful – maybe a dozen or so instances in history – of books whose impacts can be traced in specific legislation. And there’s a reasonable objection to treating them as flagships of the genre: bringing about legislation is not what political fiction is, usually, for.  </span></p>
<p class="p1"><span class=""><span class="s1">It usually does subtler and more indirect things. Like Dickens, like the Steinbeck of </span><span class="s2"><em>The Grapes of Wrath</em>,</span><span class="s1"> or like James Baldwin and Ralph Ellison and Toni Morrison, the impact is usually felt in terms of giving imaginative force to a set of people or situations or ideas whose audience will hitherto have ignored them. It more often takes the temperature of social change, gives voice to the voiceless, or makes injustice visible. “If art does not enlarge men&#8217;s sympathies, it does nothing morally,” wrote George Eliot. </span></span></p>
<p class="p1"><span class=""><span class="s1">Or – like Thomas More, Jonathan Swift, Orwell, Huxley, Kafka, Margaret Atwood in </span><em><span class="s2">The Handmaid’s Tale</span></em><span class="s1"> – it enlarges our political vocabulary, our stock of metaphor and archetype: it gives us a set of cultural reference points for making political arguments. </span><em><span class="s2">1984</span></em><span class="s1"> and </span><em><span class="s2">Animal Farm </span></em><span class="s1">probably didn’t cause very many Stalinists to think twice about Stalinism. </span><em><span class="s2">The Trial </span></em><span class="s1">didn’t lead to reform of the German legal system. But we look to this day at our politics through the dystopian lenses they provide.  </span></span></p>
<p class="p1"><span class="s1">So: long live the political novel. But don’t expect its prose to end up on the statute book any time soon. </span></p>
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<p class="p3"><em><span class=""><span class="s5">The Orwell Prize longlist can be found <a href="https://www.orwellfoundation.com/the-orwell-foundation/news-events/news-events/news/orwell-prizes-2019-longlists-announced/" target="_blank" rel="noopener noreferrer">here</a>.</span></span></em></p>
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