Do bagpipes have erotic appeal? David M. Benett/Dave Benett/Getty Images

A gentleman, runs the old joke, is someone who can play the bagpipes, but doesnāt. Alastair Campbell, podcaster, novelist and sometime press secretary to Tony Blair, plays the bagpipes. Indeed, one of his earliest published pieces ā in the pornographic magazine Forum ā boasted of the erotic appeal of the instrument to women. But then, as he later admitted, his work for the magazine was āmainly fictionā.
It would be unfair to suggest that the same was true of his journalism, but his stint as political editor of the Daily Mirror, starting in the late Eighties, was not distinguished. He was tribally loyal to Labour, and these were dark days for the party, which had lost three elections in a row and was shortly to lose a fourth, in 1992. His response was to fill the paperās news pages with relentlessly partisan abuse. As a hack, his best-known contribution to political debate was starting a rumour that John Major tucked his shirt into his underpants. (āI am only 90% sure of the accuracy of the claim,ā he acknowledged.)
Perhaps some of the bitter triviality reflected his own thwarted hopes. In the run-up to the 1992 election, he was widely touted as the front-runner to become Neil Kinnockās press officer should Labour win. But when Labour didnāt win, Campbell had to wait instead for the election of Tony Blair as leader in 1994 before getting the summons to become his press secretary. The job title didnāt reflect the role, Blair hastened to add; āitās much more than that,ā he said.
So it was to be. Campbell was generally referred to as a spin doctor, a relatively new term that had crossed the Atlantic in 1988 and entered the Oxford English Dictionary the following year. The job of the spin doctor, according to Peter Mandelson, the first British figure to be so described, was āto create the truthā. There were limits, though. āThey can cajole and protest and manipulate and bully if they want,ā Campbell explained. āThey can explain their masterās thinking. But the masterās thinking and actions are what count.ā
That was the role occupied by Bernard Ingham when he was Margaret Thatcherās press secretary, but many felt that the master-servant image was no longer entirely accurate. āWhen you heard Bernard Ingham speaking, you heard Margaret Thatcher,ā observed ex-Labour aide Joy Johnson. āWhen you heard Tony Blair, very often you heard Alastair Campbell.ā It was a common perception, and Blair did little that might correct it; in his memoirs, he wrote of Campbell: āHe was indispensable, irreplaceable, almost an alter ego.ā
In any event, Campbell was ā with Blair, Gordon Brown, and Mandelson ā one of the Four Horsemen of New Labour. Following the election triumph of 1997, he accumulated still greater power. He ran an ever-expanding empire of press officers and political advisers at the expense of the civil service, he attended cabinet meetings in a way that his predecessors had not, and he took on the role of party discipline at Westminster: in a symbolic move, the press team moved into 12 Downing Street, traditionally the preserve of the Whipsā Office. Charges of control freakery were widely aired.
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